Home

Teaching

Lecturing

Opera Resources

Research

M K Čiurlionis

Baltic Study Day

Conducting

William Baines

Reviews

Email

Research

GK (r) and Darius Kucinskas (l), in archives of the Ciurlionis Museum, Kaunas

In progress/forthcoming:
  • Research for Ph.D., School of Music, Leeds University, Cello Performance Practice in the Nineteenth Century, under the supervision of Prof. Clive Brown.
  • "M. K. Ciurlionis (1875-1911): catalogues, folk music and the nationalist canon", paper for RMA study day, June 2008, The Composer-Performer at the Keyboard, Leeds University
  • “Studies, Cadenzas and the Canon - the Character of the Cello in the Nineteenth Century”, paper for Fifteenth Biennial International Conference on Nineteenth-Century Music, University College, Dublin
  • Research in Belgian archives, funded by Brotherton Library Scholarship, Leeds University
  • “Aisance, or Playing like a Man of the World: Aspects of Cellists’ Posture in the Nineteenth Century”, paper for Royal Musical Association Conference, Aberdeen University
  • “Bach's Suites for Solo Cello as Performed by Friedrich Grützmacher”, lecture-recital for Performing Romantic Music Conference, Durham University
  • English-language editor, working with Dr. Darius Kucinskas (Kaunas University) on English translation of the Chronological Catalogue of the Music of M. K. Ciurlionis(Kaunas University Press, 2008)
Publications:
  • "The Phenomenon of the Cellist Auguste van Biene: from the Charing Cross Road to Brighton via Broadway", in: M. Hewitt and R. Cowgill (eds), Victorian Soundscapes, Leeds Working Papers in Victorian Studies 9 (Leeds: LCVS and LUCEM, 2007).
  • 1980-83, several articles for The Strad on Bach editing, reviews of recently published baroque music, cello technique.
  • "Lithuanian Art & Music Abroad: English Reception of the Work of M. K. Čiurlionis, 1912-39", Slavonic and East European Review, vol. 83 (2005) pp. 234-253.
  • Reprinted in Lithuanian (trans. and ed. Rokas Zubovas and Sonata Zubovienė) as "Lietuvos dailė ir muzika užsienyje: M. K. Čiurlionio kūrinų recepcija Anglijoje 1912-1939 metais", Kulturos barai vol. 482 (2005) pp. 79-88.
  • "Octatonicism in the Piano Music of M. K. Čiurlionis", in: Rimantas Astrauskas (ed.), Čiurlionis and the World (Almanac of Druskininkai Čiurlionis Study Week 2004), Vilnius: Kaunas University of Technology, 2005, pp. 56-66.
  • "Watching Eyes: Čiurlionis, Wyspianski and Poe", in: Rimantas Astrauskas (ed.), Čiurlionis and the World (Almanac of Druskininkai Čiurlionis Study Week 2004), Vilnius: Kaunas University of Technology, 2006, pp. 34-44.
  • Short articles on Čiurlionis for Tiltas, the journal of the British-Lithuanian Society, 2005 and 2006.
Reviews:
  • 2001: Review of published music by Nicholas Maw, for Music Web.
Conference papers:
  • Paper for panel at International Musicological Society Conference, Zurich, July 2007: Musical and philosophical ideas from North-Europe: Greimas, Sibelius, Čiurlionis, Nielsen : "Emerging nation, emerging composer: Čiurlionis Reception and Theories of Nationalism".
  • "Between (how many?) worlds, or, outside looking in: M. K. Čiurlionis the cautious avant-gardist", paper for the AHRB 'Borders and Boundaries' Colloquium, Glasgow University, January 2005.
  • "Nineteenth-Century Editions of the Bach Solo Cello Suites", lecture-recital for the Royal Musical Association Research Students' Conference, Leeds University, January 2006.
  • "Emerging nation, emerging composer: patterns of Čiurlionis reception and Lithuanian nationhood", invited paper for the Čiurlionis 130 conference, Kaunas, September 2005.
  • Paper for Music in Nineteenth Century Britain Conference, July 2007: "'A Foreigh Musician, but an English Actor': Auguste van Biene, the Anglo-Dutch-Jewish Actor-Musician".
  • Lecture-recital for Twelfth Biennial Conference on Baroque Music, Warsaw University, "Nineteenth Century Editions of Bach's Suites for Solo Violoncello"
Other interests:

    Russian music, Baltic music, nationalism, opera, reception theory, baroque music.